Drive-By Fairytales

Once upon a time after a rain, a young woman walked

the reeking sidewalk of a college town fueled by soybean industry.

A car driven by a man veered into the oily puddle in the gutter

between him and the girl and drenched her, white shirt

 

grey and clinging, dark curls dripping, shocked mouth a hole

hands out spread, shaking off drops from eyelashes and finger tips

like tiny prismatic knives. She walked the blocks back to her dorm,

stretching her blouse off her goose pimpled chest, wondering why.

 

Next week, next year, next life, riding her red bike like a mare

mane flying, another car, this one full of laughing high school boys

veered so close that one could lean out, long arm swinging

and smack her bottom planted on the small hard saddle

of her trusty ten-speed. It was then she stopped wondering.

 

She woke from a long sleep, as if from a spindle prick

as if from an uninvited kiss, as if from her mother’s future whisper

clawing through the earth of sixty years before the buried words

could reach her daughters’ ears. That ancient tale, gleaned

from nameless wives, scrubbed clean by brothers: her father

                                                             

the king, was never more than a frog in the back seat of a car

on a first date with a lovely, naïve girl who told him no, no, no

and nine months later, muted by marriage, handed him a son—

and later, three daughters, and later, a decree of infidelity

he denied and flipped, despite his dukes’ discreet testimonies.

 

Later still, as the youngest daughter lay dying, golden curls

long fallen, their father, who never saw a car he didn’t covet

made a one-way flight to her side to ask if she’d bequeath

her red Ford to his youngest son, the seventh child, the favored one.

“No,” she sweetly seethed. He left before her last breath

 

to attend his new queen whose hardened brood love to say

none of this is true: a sullen stepchild’s sooty fairy tale.

They ride for the brand, his heirs. She tells this story anyway

her tongue a wheel of wooly thread, her finger black

with ash from a fire long dead they never had to tend.

with thanks to Amy Irish for her workshop,

“Rewriting Fairy Tales, Myths and Legends for Modern Survival”

and Maddie Crum’s “Unhappily Ever After: How Women

Became Seen but Not Heard in Our Favorite Fairytales”

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On the Way to Judith’s Soul Collage Workshop, or How I First Met Katherine and Nathan

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Post-Modern Prosperity Gospel of Our Bourgeois God