poems by rachel kellum
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Reading “Walk” with Leo
In 2019, to advertise the Crestone Poetry Festival, our posse of poet planners enjoyed being recorded reading by a local videographer, Bennie, for his series Crestone Now. This one captures a reading I did with our late dog, Leo, who very much stole the show.
Scoot to 6:52 in the video to see me reading “Walk” and Leo at his best.
Here’s another reading leading up to 2019’s Poemfest, outside Bob’s Diner, which we all wish would open again soon.
“Christmas Soup” starts at the 9:20 mark. Apologies to my vegetarian friends. You’ve been warned.
My Argument with Sartre's Math
One always dies too soon or too late. And yet, life is there, finished: the line is drawn, and it must all be added up. You are nothing other than your life. — Jean-Paul Sartre
We outgrow the earth
from which we grew
our early fame and infamy,
seeds flung by storms
into new, forgotten grounds.
Or, we compost our youth.
George Sand’s sturdy suits,
love affairs, tobacco smoke—
soil—for menopausal altruism.
Malcolm X’s white devils
for brotherly love’s final gun.
Mark Twain’s naive Finn and Jim
for the dark Mysterious Stranger.
Ram Dass’ Harvard spin with LSD
for Now’s inner God of Stroke.
My father’s four kids—cut losses—
for a Spirit World pardon of a line
of broken boys-turned-our-fathers.
My early LDS One True Church
for many truths, for Natural Mind.
For what blooms will you be known
after your long, weedy life?
Change the metaphor, Writer, Fisher,
hope your readers understand
your denouement and fall with you,
uncaught by the unknotted net.
Couplets of Snow, Alone
The sky starts as flakes, lands wet.
A juniper drops glassy beads, one by one.
The Frigidaire’s high whine goes dead.
Silence brings the flat white sky inside.
A cat crunches kibble in my closet head.
A black dog stares out my window eye.
Snow buries words within my chest.
I don’t look for a shovel or sun.
2019
Your River
Smart speakers offer manual options for volume
for people like you whose giggle, talking ridiculously
to plastic, quickly turns to awe and bossiness.
Hey, Google, play “River” by Leon Bridges.
Hey, Google, 75% volume. Hands free, music makes
a soundtrack for cooking, cutting onions.
Hey, Google, 100% volume. Constant visual overlay
these days. Memory’s relentless mind screens couple
with memories of small screens, fingers scroll songs,
click video versions: a black father’s blood-spattered
white t-shirt, his baby crying, calmed on his chest, tiny
red-wet fingers, Black people in white, standing in water,
not the literal river you misremember: they sing in rain
enhanced by a hose, join the onion on the cutting board.
This isn’t video. Your husband is out buying avocados
and blue chips. The song story thunders through you just
below a rolling memory of the morning he held you up
on your feet, thighs and knees giving out with father grief,
beneath your cry, are you going to leave me, and the song
came on spontaneously, the river song, the song
now always a stream in the dark of your son’s room,
smelling of unwashed clothes and an old dog,
the room, looking into the kitchen, where he, your love,
sat with you on a messy floor-mattress, untangled
antique knots of abandonment, your face a river.
You say you are always waiting for what you deserve,
that being left is what you will get for what you gave
and have been given, your narrative inheritance.
He asks, can’t we rewrite that end? I want to, you say.
Songs shuffle. Onions gleam. The kitchen glows yellow
with the promise of a new mythology, a river flowing
without water, without gravity, without a final sea.
Here’s Leon Bridges’ song, River
Cohen's New Antidepressant
Following a joyful litany of faces, pastries
Fruits and bosoms, Leonard Cohen ends with
I am so grateful to my new antidepressant
And I think not much of it, no judgment
But no gratitude, either, in my ignorance,
For pharmaceutical panaceas. It is not yet time
To release that sputtering trope: Rise
Above neurosis with your mind. And we hope
It won’t kill us, the darkness in which we shine,
Groping for yet sometimes blind to intermittent sun.
2019
Leonard Cohen, flame dear,
Give me your danger
Your simple eye and word
So I may have the courage
To write the beautiful bore
The helpless mother-terror
Each day of my slow burn.
2019
Two Meetings
1
millions of tiny
blue symbols
hung in the heart
a pregnancy of sky
fly out of me
touch everything
fill space
endless charm
of hummingbirds
not-hummingbirds
crowding the void
changing the world
the world endless
flowers not-flowers
into a humming
invisible blur
wings not-wings
fly back into me
not-me so my mind
may meet itself
blue and rest
2
Blue symbol
cubit balloon
not-balloon
hung before the heart
hovers gently
bumps along
destroys the world
touch by touch
mountain by mountain
sea by sea
bounce by bounce
cloud by cloud
moon by moon
sun by sun
love by love
pops every thing
and me meeting myself
popped empty
2019
with thanks to Khenpo Rinpoche
Bad Dog Haiku
I sweep tufts of hair
From my bedroom bamboo floor
Where dogs aren’t allowed.
Two couch cushions chewed.
What means more? Dog or couch?
Turn cushions. Hide holes.
2019